Remote Views (2024)
HD video.  Single Channel with color and sound.  Experimental.  TBD runtime.

Remote Views  is an ever-evolving, ongoing work of televisual stream of consciousness. Assembled from archival footage set in the Black media explosion of the 1980s, this frenetic remix of public access television, video diaries, commercial mass media, and citizen journalism is sequenced as short vignettes featuring musical and poetic performance, documentation of state violence, political theater and expressions of Black love.  All interlaced through analog video distortion techniques and experimental sound design to produce a collage video that aims to create shrine-like frame spaces that radiate totemic power.

On view September 5th - November 2nd 2024
FotoFocus Biennal: Backstories and Columbus College of Art & Design: Beeler Gallery Present:  I WAS HERE

Seventeen emerging and underrepresented lens-based artists working in the mediums of photography, video, performance, collage, and mixed media explore the concept of proclaiming one’s existence through image-making and storytelling. In our social landscape, the phrase “____ was here” is a familiar declaration found on walls and public surfaces, symbolizing an act of marking one’s time and presence in a place. In the current social and political climate in which the complicated histories of Black people face the threat of erasure, sharing stories through the lens of Black creators and cultural producers is critical. Delving  into the myriad ways of being and existing in our ever-complicated modern society, these artists offer insights on disability, gender and sexual identity, survival, imagination, aging, ancestry, community, and more.

Taking inspiration from renowned photographer Ming Smith, this exhibition evokes her perspective of “celebrating the struggle, the survival, and finding grace in it.” I Was Here celebrates Smith’s legacy while providing young artists the opportunity to present work inspired by her style.